Find Big Screen Entertainment Group on Facebook
BSEG Twitter
     
 
Username   Password     Big Screen Entertainment Group - (OTC: BSEG)
BSEG Investors Forum - Click Here
Big Screen Entertainment Group
Home - Featured Projects News & Updates 'Iron Man 2' Buckles But Still Burns, 'Robin Hood' More Merry Than Medieval
Share to Facebook Share to Twitter Share to MySpace Stumble It Share to Reddit Share to Delicious Share to Google Buzz Email a Friend 

Also check out

BSEG Michigan

Latest Big Screen Updates

Big Screen Entertainment Group, a Production and Distribution Company, Attends 2012 Cannes Film Market With New Line Up of Films for International Sales

Big Screen Entertainment Group (PINKSHEETS: BSEG) is currently attending the 2012 Cannes Film Market with a slate of twelve feature films for international sales. Big Screen's sales team is headed up by Lars Bjorck, a 30 year veteran in international film sales and pre-sales.

Read more

Big Screen Entertainment Group Acquires Sales and Distribution Rights for New Film: Suspense/Thriller "DEAD STOP"

Big Screen Entertainment Group (PINKSHEETS: BSEG) is pleased to announce the acquisition of foreign sales rights for "DEAD STOP," an exciting, suspenseful thriller from filmmakers who've worked on "THE HUNGER GAMES," "ALICE IN WONDERLAND," and "SAW III, IV, V & VI."

"DEAD STOP" is about a group of teenagers who set out on a ski trip only to have their vacation thwarted when their van breaks down in the middle of the California desert.

Read more


Big Screen Entertainment Group, a Film Distribution and Production Company, Hires New Head of International Sales

Big Screen Entertainment Group (PINKSHEETS: BSEG) is very pleased to announce the addition of Lars Bjorck, a prominent, third generation, film business executive, as a consultant to Big Screen's International Sales Division.

Read more


'Iron Man 2' Buckles But Still Burns, 'Robin Hood' More Merry Than Medieval

ironman2may1810

By Brandon Gray: BoxOfficeMojo.com

Iron Man 2 rapidly lost altitude in its second weekend, but the potent insurgency of Robin Hood didn't take root enough to usurp it. Plunging 59 percent, Iron Man 2collected $52 million on nearly 10,000 screens at 4,390 theaters. That ranked 14th among the all time top-grossing second weekends, despite the sequel having posted the fifth highest-grossing opening weekend.

By comparison, the first Iron Man fell 48 percent to $51.2 million in its second weekend (or the equivalent of nearly $57 million adjusted for ticket price inflation). Iron Man 2, though, held better than Spider-Man 3 (down 62 percent) and X-Men Origins: Wolverine (down 69 percent) among past early May Marvel movies. The sequel stormed past the $200 million mark in ten days, and, with $211.2 million in the till, it's already the tenth highest-grossing comic book adaptation ever and ranks second for 2010, swooping past How to Train Your Dragon.

Director Ridley Scott and actor Russell Crowe's firstGladiator-like collaboration in ten years packed a wallop in its debut, showing how Gladiator still resonates. Marketed as if it were Gladiator 2 albeit with less verve, Robin Hood showed nary a quiver with $36.1 million on approximately 5,700 screens at 3,503 locations. That was more than Gladiator's $34.8 million, but much less in terms of attendance: adjusted for ticket price inflation,Gladiator's opening would equal over $51 million today. With Robin Hood's battles for freedom, the advertising also recalled Braveheart, which, though not a blockbuster, was a long-lasting audience favorite.

Medieval-themed pictures typically disappoint at the box office, as Mr. Scott found with Kingdom of Heaven in May 2005, but Robin Hood mustered the top-grossing start of all time for the sub-genre, surpassing the last dramatic Robin Hood movie, Robin Hood: Prince of ThievesPrince of Thieves' $25.6 million opening, though, is the equivalent of over $48 million adjusted.

The Robin Hood legend clearly endures despite the myriad previous incarnations. Robin Hood attempted a gritty origin story, instead of doing a swashbuckler more in the vein of The Adventures of Robin Hood (1938) or even the recent Pirates of the Caribbean movies (sans the supernatural mumbo jumbo). Another recent Medieval movie, King Arthur, tried a new spin on a famous story, but was a bust, grossing $51.9 million in its entire run.

Robin Hood distributor Universal Pictures' exit polling indicated that 56 percent of the audience was male, and 63 percent was age 30 years and older. Moviegoers polled by CinemaScore gave the picture a "B-," which does not bode well for word-of-mouth: the service's grades are generally inflated, in part due to the polling being conducted on opening night when moviegoers may be in a more forgiving mood.

Two romances, Letters to Juliet and Just Wright, counter-programmed Iron Man 2 and Robin Hood to mixed results. Letters drew $13.5 million on close to 3,600 screens at 2,968 venues, which was less than lead actressAmanda Seyfried's last letter-themed romance, Dear John, made on its first day alone. With the exception of Dear JohnLetters's opening was in the solid mid-range of its genre. Distributor Summit Entertainment's research showed that 81 percent of the audience was female, and 63 percent was 25 years and older

Just Wright landed with $8.3 million on around 2,100 screens at 1,831 sites, which was below par compared to similar movies. Star Queen Latifah's last romantic vehicle,Last Holiday, had a much bigger start, and Love & Basketball had significantly greater attendance.

Among nationwide holdovers, How to Train Your Dragondelivered the smallest dip, slowing just 25 percent to $5 million. That brings its total to $207.6 million in 52 days, trailing Kung Fu Panda by a mere $1.35 million through the same point. Date Night also had a minimal decline, down 30 percent to $3.8 million for an $86.5 million tally in 38 days. A Nightmare on Elm Street (2010) took a standard horror hit, off 49 percent to $4.7 million for a $56.1 million total in 17 days.

Despite Iron Man 2's mass and Robin Hood's sizable start, overall business wasn't terribly exciting, coming in at less than $140 million. That was down from last year and attendance was lower than the last time this weekend fell on May 14-16, 2004, when Troy debuted.

Big Screen Entertainment Group, Babysitter Wanted, Sodium Babies, Nina and the Mystery of the Secret Room, Productions, Films, Movies, Hollywood


Big Screen Entertainment Group Film Festival and Media Markets

BSEG participates in many more festivals and events throughout the year. We will be adding more here site over time.

Cannes Film festival American Film Festival Comic Con Wonder Con
Berlinale Festival MIPCOM MIPTV NATPE
 
 
© 2012 Big Screen Entertainment Group
Publicly traded company on the U.S. OTC market. Ticker Symbol: BSEG.   For information please Contact Us.
Site designed and maintained by Lilkendey Technologies LLC